Since the last update (I know it’s been a while but I will explain why later) things have moved along at a surprising pace here at Lincoln Game Company.
Project Baron has moved up a gear, you may remember that in my last blog post I detailed the code names for all the projects that Lincoln Game Company is working on and Project Baron was next in line. That means I can exclusively reveal that project baron is a pack of collectible playing cards. I have been collecting playing cards for years, I love the designs, the texture and the way they sit between function and art. They are something that greatly appeal to me, and the way I think about design function. A Project Baron blog post will be up in a few weeks time telling you about the design philosophy and the projected timeline for the Kickstarter campaign.
As I am sure you know the Boardgame Metro Maps didn’t quite make it’s Kickstarter goal and after calling time on the campaign I promised that it would not disappear.
As promised Metro Maps will be back, I have been working on the relaunch in the background (amongst finding a new job and other IRL things) and I am confident that after the completion of Project Baron, Metro Maps will be back on Kickstarter with new features and a more international friendly shipping format.
For the most part I have been trying to forget Metro Maps, not because of any disappointment or disillusionment but because sometimes you just need to reset your thinking. At university I used to be an advocate of getting bored, deliberately going out of my way to not entertain myself, to forget everything I was doing and get bored. I studied a creative subject and believed that boredom was an underrated part of the creative process. I found that the brain (or at least my brain) doesn’t like having nothing to do, it absolutely must think of something. So if you ever run out of ideas, or hit a creative block, try getting bored. I don’t mean do nothing and read a book, or do nothing and listen to music. I mean take away every distraction, sit in a quiet room and do absolutely nothing. Your brain is then forced to entertain itself without any external stimulus, at which point you start having your own ideas.
That is what I have been doing with Metro Maps, forgetting what I know and then getting bored. It’s the best way I can think of to inject new life into a project and, start seeing something I have been working on from an entirely new perspective.
Happy New Year and may 2020 bring lots of exciting new cards, games and opportunities to be bored.
I remember my first trip to London and to the mind of a little boy two things stood out the most. Firstly seeing the MI5 building (our secret service offices) and secondly the roar of hot air as the tube trains screeched onto the platforms of the Underground. Who needs the Natural History Museum?
London is full of fabulous sights and sounds and every visitor should try zipping about by tube. I was brought up in Leicester, if you were to point at the centre of a map of England you would be pretty close to putting your finger on my home town. Leicester is a large, ancient and former industrial city. But London it is not. So as a child, going to London really was like going to the big city, it was busier, noisier, taller and had trains that ran underground.
Fast forward several years to my time at college and university and I start to discover my love of modernist design. My first (and currently only) visit to the Bauhaus in Berlin (another terrific underground railway system) was eye opening for me. It was the first time I truly understood phrases such as “Form following function”. I loved every moment of looking around the museum and it’s exhibits. At university I started to explore De Stijl, Fauvism, Minimalism, Constructivism and many other Twentieth Century design and artistic movements.
But how does this relate to Metro Maps? The underground map as we know it was designed by Henry Beck who realised that actually where the lines of the London Underground were was largely irrelevant. His topological maps used only straight horizontal, vertical and 45 degree lines to connect stations. The map we see today is an evolution of his design of nearly 100 years ago. For me Beck’s genius lies in that statement of form following function. It is clear, understandable and you can see your route based on the clearly differentiated lines criss-crossing the river Thames.
When developing Metro Maps I was actually designing a game that involved players taking command of 19th Century sailing ships and drawing trade routes around a map of cards. That idea didn’t really work. But when I started working with long coloured matchsticks connected to similarly coloured circular trade nodes I had an epiphany. I was making a grid of coloured lines and circles just like the tube map.
This new theme worked much better. Randomised pre-defined routes, mechanics built on the limited space offered under London’s streets and the bold iconography of Becks modernist design. This was much more my style.
The London Underground Map is a style icon of the Twentieth Century and Transport for London is rightfully proud and protective of its map. When you get the chance to play Metro Maps and jostle for the win in your own Beck style world, give a thought to the man who first had to wrangle the lines and stations (now 11 lines and 270 stations) of London’s Victorian infrastructure.
It hasn’t really sunk in yet but the the Kickstarter campaign starts now.
The decision has been made, the game is finished and the marketing material has been written. I now need to start generating a buzz before pressing the button and going live. Which is terrifying. What has been a project happening largely in my head, and amongst a relatively small number of people, is now in the public domain. All the plans that I have been making are about to be tested in the full glare of the public.
I have so much tied up in this project, both emotionally and physically, that I’m not sure I can remember what life was like before. So before I start, I want to thank everyone who has been involved so far and I hope that we are about to have a long and exciting journey designing and making boardgames together.
I completed the first three sessions of formal play testing this week. I wasn’t entirely sure how to approach this, as there are very few people who really go into detail as to how they complete this part of their game design process.
I have a background in marketing so I thought the skills I used and learnt professionally are probably a good place to start. I ran the play test sessions a little like focus groups. I presented participants with a letter that explained exactly what they were taking part in, and contained details about what elements of the game are production quality. I then sat back and carefully watched players set up the game and work out the rules for themselves. Making careful note of things that were confusing and things that were incorrect. At the end of play I gently interviewed them and started a conversation about the game.
Watching other people play a game you have designed is a strange experience. To see how other people interpret the rules you have so carefully crafted and then proceed to find as many ways as possible to break them is both terrifying and hilarious. One play tester quickly spotted a way of totally locking up the game with their first move in totally bizarre incidence of mutually assured destruction. I was aware that statistically this was possible but extremely unlikely. It’s instances like these that improve your game and show how important play testing is.
So if you have aspirations of designing a game this is what I would suggest preparing for your play test sessions.
Written introduction – This helps control the information available and the experience of different play test groups.
A way of recording observations – I used a note book and pen to record observations, it’s low tech and not intimidating.
Questions – Make sure you can start a conversation about your game that starts in an area that you know will be useful to you. Play testers will go off at useful tangents but make sure you get what you need as well.
Food – It never hurts to feed and water your play testers, remember that they are giving up their time to help you.
Follow up survey – This gives empirical data that you can use to identify trends.
I have been working on a new project for the past six months and finally I have something to show for it. It’s amazing, as soon as you have something physical in your hands, it’s almost as if you all the hard work you have been putting in has paid off. Since the beginning of this project I have been working digitally, with designs on screen and bits of inkjet print outs where necessary. But when an actual box turned up with board and cards and pieces it felt as though the work had come to fruition.
So what is the project…
Metro Maps is the board game I have been working on. In the game, players build routes exactly as they appear on the cards by spending resources, and placing pieces on the board. The difficult bit is other players can interfere and block you at every turn, consuming your valuable and ever decreasing resources.
The designs aren’t final yet, the box and board both need tweaking and refining but I am so pleased that I finally have a product that I can get in front of a new group of play testers. I will update you all on the final round of play testing as soon as I start to get the feedback.